MOUTHBRAIN - the film documents the West Coast performance of MOUTHBRAIN that occurred at Field Workshop at The Institute of Contemporary Art Los Angeles on Aug 5 & 6, 2022. Performers: Deja Bowen & Evan Spigelman. Choreography: Lisa Fagan. Looks: Nancy Stella Soto. Styling: JenniLee. Text/Zine Design: Tanya Rubbak. Film Documentation & Editing: rybg

MOUTHBRAIN is an hour-long two-person performance that documents and disassembles our pixelated present of anxious forces and neurotic tendencies through a combination of poetry, stylized movement, sonic play, and cinematic lighting. Presented at the Institute of Contemporary Art in Los Angeles in conjunction with the exhibition The Condition of Being Addressable curated by Legacy Russell and Marcelle Joseph, MOUTHBRAIN synthesizes a range of urgent themes: climate grief, state violence, reparative justice, systems of bodily surveillance, cishet fundamentalism, and the meme-ification of political mood. The piece accounts for the intense everythingness of life, reflecting a frenetic sense of discord felt everywhere. Accumulation and annotation are central to the work. Found language–from personal conversations, poems and theory, words overheard, or experiences encountered online–works its way into Cohen’s heavily footnoted text. 

Originally staged at JDJ in New York in November 2021, MOUTHBRAIN was performed by Deja Bowen and Evan Spigelman who pioneered the piece with NY-based choreographer Lisa Fagan. Moving through space in looping and repeating gestures, the performers echo the form and language of the text. Double-takes, small abrupt head turns, maximal use of fingers and thumbs, and swipes of the body or forehead sample a range of contemporary kinesthetics. Their movements and facial expressions are uncanny yet familiar, evoking a sense of flashback for the audience, while their voices deliver the range of sonic qualities of Cohen’s queer surrealist text.

The full text from the piece was designed by LA-based designer Tanya Rubbak and given to audience members on the entry into the space. The images within the zine were sourced online and are commonly known as cursed images.

TEXT EXCERPT

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